Guest Post & Giveaway: Sneak by Evan Angler

Welcome to Author Evan Angler

Evan Angler is safe, for now. He lives without the Mark, evading DOME and writing in the shadows of Beacon.
As a kid he was quiet and well-behaved, having grown up in a town not unlike Spokie, where he enjoyed music, drawing, hover-dodge, astrophysics, hiking, virtual reality . . .
None of that matters now.
Evan Angler is the author of SWIPE. But if anyone asks, you know nothing about it, and you didn’t hear anything from him. Don’t make eye contact if you see him. Don’t call his name out loud. He’s in enough trouble already.
And so are you, if you’ve read his books.

http://www.evanangler.com/
https://twitter.com/evanangler

Guest Post: Evan Angler’s Infinite Playlist

Music, I think, is an important pillar of the creative mind. And as an author, it’s an equally important part of any book. It doesn’t matter what the writing is about, and it doesn’t matter what the story is; writing is music. Our words have rhythms and cadence, our sentences make melodic lines. There are fast sections, slow sections, loud paragraphs, quiet paragraphs. Good writing, for me, lights up my brain much like good music does.

This relationship, of course, goes both ways. If writing informs music, then it stands to reason that music must also inform writing. Certainly, I’ve found this in my own experience. With my first book, SWIPE, I wrote almost everything either in the dark, or on the run, in the motion of electrobuses and boxcars, with my hood up and my oversized headphones on. For some of that time, indeed, my focus demanded quiet. But for much of my writing and drafting and thinking, I was immersed in a blanket of music. Loud music. And I found that its genre dictated the writing’s tone. With SWIPE, my musical selections often gravitated toward electroclash, a genre I didn’t even know existed until I found myself craving it for the underscore of SWIPE’s scenes. Often, I’d play the music so loud that I needed to stuff my ears with tissue paper, because I liked the feel of the heavy beats hitting my brain, pushing me forward, relentless, unforgiving…. The gritty, electronic timbre of the music just seemed to belong with the tech-filled but flawed world of the American Union, and the energy conveyed by that music–both in the faster and in the more somber selections–captured for me the sense of foreboding, anxiety, excitement and, ultimately, determination that Logan feels over the course of his journey.

SNEAK, on the other hand, called for a very different sort of sound. In trying to capture the setting and mood of the Unmarked River, I often found myself gravitating toward pre-Unity bluegrass and folk music, another genre that had never captured my attention–until I the writing called for it. The acoustic guitars, the banjos, the fiddles, the harmonies…in many ways, SNEAK is about the loneliness and uncertainty of venturing out on one’s own, of a search for simplicity and truth. In a world of high-tech stakes, the Dust’s journey through much of SNEAK is practically of a different era. Horse rides, hiking, camp fires, radios…after the events of SWIPE, Logan is truly an outcast, and there’s just no place for him in the more modern world of the American Union. What better way to capture that then with the oldest traditions of music that American history has to offer? Bluegrass and folk, there’s nothing else like it.

The third book in the Swipe Series has yet another soundtrack altogether. I can’t wait for you to hear it, and to discover all that its soundscape implies. But that is a story for another day, and that is a playlist for another time….

So if you’ll excuse me, I have some headphones I need to find…–

Sneak (Swipe #2):

In a future United States under the power of a charismatic leader, everyone gets the Mark at age thirteen. The Mark lets citizen shop, go to school, and even get medical care-but without it, you are on your own. Few refuse to get the Mark. Those who do . . . disappear.
Logan Langly went in to get his Mark, but he backed out at the last minute. Now he’s on the run from government agents who will stop at nothing to capture him. But Logan is on a mission to find and save his sister, Lily, who disappeared five years ago on her thirteenth birthday, the day she was supposed to receive her Mark.
Logan and his friends, a group of dissenters called the Dust, discover a vast network of the Unmarked, who help them travel safely to the capital city where Lily is imprisoned. Along the way, the Dust receives some startling information from the Markless community, opening their eyes to the message of Christianity and warning that humanity is now entering the End of Days.
When the Dust finally arrives in the capital, it seems that all their careful planning is useless against a government that will do anything to bend its citizens to its will. Can the gentle words Logan has found in a tattered, banned Bible really stand against the most powerful military the world has ever known? Can Logan even sacrifice his own freedom, choosing to act through faith alone?

http://yabound.blogspot.com/2012/08/blog-tour-sneak-by-evan-angler.html
TOUR GIVEAWAY:
10 Paperback copies of Swipe and Sneak, US and Canada only.

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